HARMONIA: Sacred Geometry, the pattern of existence at Oliewenhuis Art Museum | Art.co.za Art Exhibition Listings
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HARMONIA: Sacred Geometry, the pattern of existence

"Geometry is widely held to be the universal plan on which all material existence is based. The patterns of proportion, shape, form and numbers are found in the smallest atomic structures and are perpetuated at every level of existence even as far as a pattern for the expanding universe in which we live. Most belief systems acknowledge geometry as a plan; blueprint or map on/through, which matter, has come into being. This has variously been described as the thoughts of God, divine utterances, proof of a creator, a master-plan and so on. In its application geometry (Greek for earth - geo and meter for measurement) it is thus often imbued with notions of the divine or the sacred referring to a creator or God or energy force." Gordon Froud 2018

Gordon Froud, well-known sculptor, Senior Lecturer in sculpture at University of Johannesburg and curator is presenting a new body of work that investigates various aspects of sacred geometry in the world around us. His cone virus sculptures (pointed polyhedra) have become iconic in the cities and towns of Johannesburg, Pretoria, and Stellenbosch and most recently in Richmond in the Eastern Cape on rooftops, in parks and on the streets. Having featured steel mesh geometric sculptures at Nirox Sculpture Park, Hermanus Fyn Arts festivals, Boschendal and Almenkerk wine estates, Froud has constructed a show that brings his research into focus for a monumental mid-career show at the esteemed Standard Bank Gallery in Johannesburg. This show has since travelled to Cavalli Equestrian Estate Gallery in Somerset West, KKNK festival, Oudtshoorn and will be on show at Oliewenhuis Art Museum from 16 May - 23 June 2019.

This show, however, extends to more than his sculptural works and includes drawing, printmaking, digital imaging, embossing and even animation. Froud looks at sacred geometry in the landscape, the cityscape, in the human form and in the spirit. Each of these chapters reinforces the proliferation and extent to which geometry is inherent to our existence and to the overall pattern of the universe. His exploration of the spiritual is not partisan (as he does not ascribe to a particular belief system himself) but looks at sacred geometry in most belief systems from ancient Egypt, Mayan temples, Judeao-Christian, Muslim and other beliefs, to contemporary beliefs in alien and inter-dimensionality of beings, crop circles and the like.

This extensive body of work (over 100 pieces) ranges from small-scale crystal glass works to a monumental 6.5m high polyhedron made from 18 giant road cones ? manufactured and sponsored by Sinvac Plastics in Pretoria. An extensive catalogue was published and serve as a contextual retrospective of Froud's 35 year career so far. The catalogue includes interviews, academic articles and an in depth chapter by Froud on the work for this exhibition.

Participating: Gordon Froud


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